A little exercise on syncopation, part 2

In this blog I will apply the same rhythm creation formula as in the previous one but I will take the syncopation below as my starting point.

Here are the three possible positions in a four-four time with rests filling the empty beats.

This is the decisive outline again: *dashed ties* showing the possible connections (the syncopation needs to remain untouched).

And here now is syncopation in position 1 with ties

on / on

on / off

off / on

off /off

Here is syncopation in position 2 in the middle of the measure.

And finally syncopation in position 3.

Clapping the rhythms will give you an idea but can't show the effect of the long notes so an instrument which can sustain notes is better suited (in my test I use big band brass sections but this is a matter of taste of course).